“Leaving the Canyon” published at Misery Tourism

Today my piece “Leaving the Canyon” is live at Misery Tourism.

This story is based on an experience I had when I was traveling the US alone in 2011. Back then I blogged on Allison Writes (see how “grown up” I am with Allison Renner Writes is now?!) and shared the true story. When Misery Tourism announced they were closing up shop, I knew I had to shoot my shot.

I went to the site and the randomizer told me “How about submitting a Randian objectivist tabletop game about death, you fucking misanthrope?” So I used the framework of that trip and added some game/Choose Your Own Adventure elements.

Alien Buddha Reading Sunday 9/18

Listen to the recording HERE. My section starts around the 53 minute mark.

This Sunday from 1-3pm CST, Alien Buddha Press is hosting a reading. It’s audio-only through Twitter Spaces, so grab your phone and listen in without needing to primp for Zoom vide. You’ll see a colorful ring around @thealienbuddha‘s profile picture when we’re live. If you follow the press already, the Space will be at the top of your newsfeed. Whichever approach you use, just click to join and listen to these great writers:

Won’t Be By Your Side Blurb from Keely O’Shaughnessy

I’m honored to share this blurb for my forthcoming chapbook, Won’t Be By Your Side.


I met Keely O’Shaughnessy when I was a priority editor at Flash Fiction Magazine. She’s the managing editor and fearless leader, and an amazing writer to boot! I kicked off Chapbook Week showcasing her book, The Swell of Seafoam, which you can get right now (free!) from Ghost City Press. The microchap is stunning, with the mysterious sea taking on a prominent role in each story.

Since then, Keely’s second book, Baby Is a Thing Best Whispered, came out with Alien Buddha Press. Once I stopped staring at the gorgeous cover, I dove in and the stories swept me away. The relationships in this book are realistic, even when that means they’re fraught with uncertainty and anxiety. Keely deftly inspires those emotions in the reader.

A few of my favorite stories include:

  • “Some Girls are Just Trashy and No Good,” about girls at the fair testing the limits of who they are and what they could become, with descriptions so vivid you can smell the food in the air as the colorful lights flash before your eyes.
  • “Adult Teeth,” about a family of women that hammer their baby teeth into a tree.
  • “Hidden in the Margins of a Gideon’s Bible,” a micro flash which… you just have to read.
  • “Love Is Riding the Log Flume at Splash Town in Late Summer,” which is about love and loss and the passage of time, told with heart-wrenching, brutal honesty.
  • “How to Bake Cookies When Your Child is Dying,” giving you step-by-step instructions on how to make cookies and think of anything other than your child dying, while deftly inserting emotion into each part of the recipe.

I need to stop before I highlight every story, but you get my gist. This flash fiction collection is one you don’t want to miss!

Cover Tease #2

The first cover tease was a photo taken during the same shoot, but that and the color scheme are the only common threads with the cover image itself. This tease is getting a little closer to the source…

Cover Tease #1

Spoiler alert: The cover of my upcoming chapbook is a photograph I took a few years ago. I’m never one to take a single photo and feel satisfied, so I usually take dozens (okay, hundreds) each shoot. I culled this specific shoot down to about 12 images, then picked my eight favorites. One is the cover—as soon as I titled the book, the image came to mind and just clicked. I tried another image and it wasn’t right, so I listened to my gut. But I still wanted to share the other seven pictures, so I planned out a few cover teases—and this is the first.

“No Place Like Home” published at Atlas and Alice

Today my piece “No Place Like Home” is live at Atlas and Alice.

Like many of the other pieces I’ve had published recently, this started in a Kathy Fish workshop. It’s a piece of microfiction, so we already had strict word constraints (150 words or less). To add to the challenge, Kathy gave us a list of words to use—either in the piece itself, or as a jumping-off point. I used five of the ten words for the fun of it, though they definitely gave me the root of the story as well.

Other pieces published from Kathy Fish’s workshop: