2022 Writing in Review

Last year, my Writing in Review covered April to December with 44 submissions and 5 acceptances. For coming off an (almost) decade-long drought, that felt pretty good.

This year, I submitted the entire year, with 74 submissions across flash fiction, essays, poetry, and photography. Eight pieces/photographs/chapbooks are still out. I published one poem, 14 photographs, one essay, and 11 flash fiction pieces.

I had a chapter published in the Thirty West #antiwriomo novel, Those Who Scream. I wrote it last November and the book came out in May.

I got my first Best of the Net nomination for my Daily Drunk essay, “Douglas Fir Give Me Heartburn: Exploring the Magic of Christmas Eve on Sesame Street,” published last December.

I got my first Best Microfiction nomination from Atlas and Alice for my flash fiction piece, “No Place Like Home.”

I submitted three different chapbooks or microchaps, and one was accepted and published! Won’t Be By Your Side came out September 23rd and I’m very proud of the stories in that book, along with the cover design, which uses my photograph.

I also designed the cover for my friend Janet Dale’s chapbook, ghosts passing through, which uses another of my photographs.

I also submitted a collaborative chapbook to three places, and it’s still out at one.

I submitted a chapbook pitch to a publisher, which felt amazing even with a rejection because I’ve had this idea bouncing around in my mind since 2011 without any clarity of what to do with it. The pitch pushed me to figure out how to share these ideas, so I hope to work on this project more in 2023.

I also submitted a flash sample to Reflex Press and was accepted to write a piece for their collaborative novella-in-flash. My time will come at the end of February 2023, but I’ve loved getting the pieces in my inbox and letting my imagination run wild with what I might add to this amazing project.

I didn’t keep strict track of the workshops taken, but I think I took 9, either one-off generative workshops or more involved week-long or three-week courses. This is up from… maybe 3 in 2021? I love workshops and feel like I create a lot of material from them, so that’s something I’m going to try and make time for in 2023. I’m already signed up for 3 in the first quarter alone.

I also have other major writing goals for 2023, but since this is a time of reflection over 2022, I’ll recap with a general overview of satisfaction. I feel like I’ve accomplished so much since 2021, and of course the years before that were a desert, so I’m proud of where I am now. I feel like there are still goals to strive for and ways to have fun with my writing instead of always pushing myself to do more.

March Faxness – Rock the Vote!

As someone who loves brackets and hates sports, March Xness is one of the best things to happen to me—especially since I got to write a piece for the competition this year.

I spent three months obsessing—I mean, researching—Aerosmith, Run DMC, and “Walk This Way” before I really sat down to work on it. (For those who don’t know me, I’ve been a diehard Aerosmith fan since I was 13, so I had a lot of information to comb through.) I compiled my notes, which totaled more than 3,000 words in their final form. Then I whittled it down to 1,969 words of… well, you can read it right here and judge for yourself:

The Song That Almost Didn’t Happen: Allison Renner on “Walk This Way”

If you’re reading this on March 3rd, please vote for my piece in the poll at the top of the linked page, and also on Twitter HERE.

UPDATE 3/4/22: Thanks to everyone who voted! I won and moved on to round 2, where I’ll face off against Johnny Cash’s cover of “Rusty Cage”!

For fun, I took photos of most of my Aerosmith memorabilia and started sharing one a day on Twitter. I started the day I turned in my final essay—January 23rd—and am still going strong, hoping to finish out March unless a loss breaks my heart and I just can’t anymore. I know, it’s basically like sitting through slides of someone’s vacation, minus the breathtaking views. But if you’re an Aerosmith fan or someone who’s interested in weird collections, it might be right up your alley. You can check them out by scrolling through all of my gibberish on Twitter: @AllisonRWrites (or just checking out the media tab).

Aerosmith wants you to ROCK THE VOTE.

Remember, you have “The freedom to choose what you choose to choose,” which is hopefully choosing to vote for my essay because that would make my day.

Essay at The Daily Drunk

My essay “Douglas Fir Give Me Heartburn: Exploring the Magic of Christmas Eve on Sesame Street” is up on The Daily Drunk, just in time for my annual rewatching!

There’s so much I could write about this film, but cutting it down to less than 800 words suits it, I think. Anything more and I’d be waxing poetic about my ties to the movie, how often I watched it in childhood and into adulthood, how it felt watching it with my own child, and so on.

And no one wants that, do they?

Do they?