publication

Allison

2024 Writing in Review

This has been a strange year for my writing… I’ve focused more on paid work, which is great for my bank account, but makes me feel really out of touch with the flash fiction community.

I still did some fun things, like writing during National Flash Fiction Day and taking part in the Ekphrastic Marathon. I wrote some books and outlines for major publishers, and that news will hopefully come out next year. I judged four contests for Flash Fiction Magazine and ghostwrote some books I’m really proud of, so I feel like I had a very creative year even if my submission spreadsheet isn’t reflecting that.

I only had 45 submissions this year, despite initially having a goal of submitting 5 pieces per month. I had 13 acceptances from those submissions. (I submitted 111 times in 2023, 134 in 2022, and 52 in 2021.)

I also only took one writing workshop (plus a few two-hour Zooms), while I used to take a lot more. I generate a lot of content during workshops because I thrive with the prompts and accountability, so I think that might be a big part of my lack of content this year.

I started writing reviews for MicroLit Almanac. Several were books I’d already read or wanted to read, but a few weren’t even on my radar, so I’m grateful I got the chance to read and review them, hopefully helping spread the word of these indie writers so they can get the attention they deserve.

In addition to the online stories and reviews you can read here, I had a flash fiction piece published in Stanchion’s Away from Home anthology and another in the Third Bullshit Lit Anthology.

I also launched my own writing services: Lightning Flash Writing

If you need help polishing your work (flash fiction, short stories, novels – I do it all!), getting your ideas on the page, or marketing yourself or your book, I’m here to help!

Related Posts:

2023 Writing in Review

2022 Writing in Review

2021 Writing in Review

Allison

“Ecclesiastes 10:19” in the Third Bullshit Lit Anthology

So this is now old news because I forgot to share it back in August, whoops!

I had a short story published in the Third Bullshit Lit Anthology: “Ecclesiastes 10:19.”

This is a piece I wrote in a Nancy Stohlman Pop Lit workshop and I submitted everywhere because I really wanted it out there. And now it is!

I feel like it’s especially fitting now, with the religious hypocrisy right in front of our faces… so ENJOY!

Allison

Published in Stanchion’s Away From Home Anthology

I’m thrilled to have a piece in the Away From Home anthology from Stanchion!

I wrote “Bonnie’s House” as a micro in a Sarah Freligh workshop – I know that’s not a surprise at this point, as most of my pieces that eventually get published start there! I loved the idea for this anthology because I’m obsessed with getting glimpses into other people’s houses, so I knew I didn’t want to miss my chance to explore that.

I can’t wait to read all the other amazing stories included in this anthology! It’s officially out on September 10th, but you can preorder the book here: Away From Home Anthology

Allison

Showcased in the Ekphrastic Marathon (Again!)

Last month I took part in the Ekphrastic Review‘s Ekphrastic Marathon for my second time! Last year was Lucky 8 and this year was Nine Lives. (Here’s my post about last year.)

As with before, I wrote several pieces based on amazing works of art. I really enjoy using art as writing prompts, so I look forward to this marathon every year.

I’m excited that my story inspired by “If only i hadn’t wished for what I thought i was missing” by Paraskevi Frasiola was featured in the Marathon Showcase!

Read it, and many other amazing pieces, here.

click the pic to read the full piece

Allison

National Flash Fiction Day Pubs

I had a great time writing and submitting to The Write-In on National Flash Fiction Day! I’m thrilled that 10/10 of my submissions were published! I’m sharing the links here, along with the prompts to give an idea of the guidelines/constraints.

Tidal: Write a flash about a rare weather or meteorological phenomenon.

Leave It All Behind: Write a flash in four sections, with each section having a heading ‘Air’, ‘Earth’, ‘Water’ and ‘Fire’, no more than 300 words!

And Now It’s Here: Write a flash in which someone encounters the end of the earth.

Wreckage: Write a micro flash of exactly 13 words.  Give it a title.

“People Also Ask”: Write a flash or micro in which every sentence includes at least one use of the word ‘why’.

Life Changing: Write a 50-word flash (or shorter) that starts and ends with the same sentence.

Not Simple: Find a FlashFlood story and choose five interesting words from it. Write a flash of no more than 100 words that uses all five of these words.

Fish on Vacation: Write a flash about someone who feels like a fish out of water…

The Grocery Gatsby: Write a flash using or referencing characters from fiction or poetry that was written at least 100 years ago. Set it in modern times.

Make Your Move: Write a flash in the form of a series of directions to somewhere.

(The featured post image showcases the badges I earned for the pieces I wrote and submitted.)

Allison

“Forget Me” published at Gooseberry Pie

I have a piece in Issue 12 of Gooseberry Pie Lit Magazine!

“Forget Me“ was written in a Sarah Freligh workshop, inspired by Edward Hopper’s painting, Summer Evening.

I think it stands without seeing the artwork, but appreciate the additional context the painting gives. What do you think?

Allison

“Dendrology” published at Briefly Write

I’m so excited to have a piece in Briefly Write with some amazing writers!

Read Dendrology here!

I actually wrote this as a story for Visual Verse, so I wanted to share the original picture by Olga Naida. I was bummed when it wasn’t accepted for that issue because I thought it fit well – and wouldn’t stand on its own. But I’m so glad Briefly Write picked it up!

If you read it without seeing the picture, what did you think? Does seeing the image change your interpretation?

Allison

How It Is to Be a Girl: A Review at MicroLit Almanac

I was so pleased when an editor at MicroLit Almanac reached out to me about writing a review of Sarah Freligh’s A Brief Natural History of Women. I love Freligh’s writing, have taken several of her workshops (and had several pieces published that started in those workshops!), and previously read the book several times for a Shorter is Better book club meeting.

Check out my review here!

Allison

Dead Girl Erased

I can’t believe that I forgot to log this submission on my spreadsheet, and therefore forgot to mention it in my 2023 Writing in Review post!

Last March, Gnashing Teeth Publishing posted on Twitter that they were tearing pages out of a book (Dead Girl Running by Christina Dodd) and sending them to anyone who requested one. Once you got a page, you’d create an erasure or blackout poem and send it back to be published in an anthology.

I love strange constraints and any type of project, so I requested a page. When it came in the mail, I think I was frozen for a week or two. I had no clue where to start. What if I blacked out a word I wanted back later??

I decided to take a photo of the pages and use the mark up feature on my phone to draft some poems. I’m really glad I took that approach, though I don’t remember changing a lot of the words. In fact, I kept taking away more. But it was nice to have the original page to look back on when I wanted. And once I completed my poem, I could carefully black out the right sections on the book page.

With that done, I mailed the page off and waited. And forgot about it, honestly! Then preorders were announced, so I preordered and forgot about it again! Which means I was pleasantly surprised by a book in my mailbox one day.

It was so cool to not only see my poem in this book, but to see how other people approached the erasure aspect of the project. There are some works of art in here! It’s also really interesting to see how many poems kind of fit together. Probably because the book is one cohesive work so it’s understandable there’d be some overlap in the poems, but it’s still fascinating!

You can grab a copy here.

Allison

2023 Writing in Review

This year felt like a slow one to me, but when I look at my submissions spreadsheet and publication track record, it was pretty great! I did take it a bit slower in terms of workshops. I love the prompts and feedback in workshops, but this year was a rollercoaster in terms of my paid writing work, so not having the pressure (or expense, yikes!) of many workshops was a necessary break. (That said, I took seven workshops total, though many were in the spring when my work life was still running smoothly!)

I like the goal of submitting to a certain number of places a month because I like marking accomplishments off my list. However, I don’t like the pressure of submitting just because. So for 2024, I’m going to take a small step back. I’m going to focus more on the ideas I have for collections and novellas-in-flash and strive to finish those instead of writing one-offs for submission. I think having a few bigger projects on my plate will be a nice change of pace from these past three years.

Anyway, my 2023 stats meet the goals I set for myself at the end of last year. I submitted 62 times, compared to 63 written in 2022 (I also submitted photography that year) and 44 in 2021. I had 16 acceptances, compared to 13 written acceptances in 2022 and 5 in 2021. Six stories are still out/under consideration.

I also wrote blurbs for two amazing collections: Winter Dance Party by Brett Biebel and Awakenings edited by Diane Gottlieb.

Two of my 2023 acceptances are for anthologies coming in the future from Reflex Press and Stanchion, but the rest are online and linked below:

Ladyfingers published by Visual Verse 9/2023

The Hand, The Remorse of Conscience in The Ekphrastic Review’s Lucky 8 Marathon 8/2023

Precarious Pile published by Visual Verse 8/2023

Nectar published by SoFloPoJo 8/2023

Waiting in the Rain published by Visual Verse 7/2023

Blue Monkey published by Ellipsis Zine 6/2023

Crosstown Traffic published by The Write-In 6/2023

Moving Day published by The Write-In 6/2023

Trick or Treat published by The Write-In 6/2023

She’s Where the Sky Meets the Water published by The Write-In 6/2023

Dreamless Reality published by The Write-In 6/2023

Close Your Eyes published by Visual Verse 5/2023

Midway shortlisted for the Brilliant Flash Fiction Contest 5/2023

Mother of Pearl published by Visual Verse 4/2023

501 published by Spartan 4/2023

Death of an Influencer published by Visual Verse 3/2023

Bank Balance published by Friday Flash Fiction 3/2023

“Shining Light” photograph in Rock and a Hard Place Issue 9 2/2023

Related Posts:

2022 Writing in Review

2021 Writing in Review