
Two days away…


I’m honored to share this blurb for my forthcoming chapbook, Won’t Be By Your Side.

48 Blitz was the first book I was completely on board for in my initial role at Split/Lip Press, which means Brett Biebel was the first author I got to work closely with and really hype up on social media. I kicked off my “Five Questions” interview series with Brett and still remember his engaging answers. He recorded himself reading one of the stories (“Warriors”), which you can hear on his book’s Split/Lip Press page, linked above.
That story exemplifies what you get from his flash fiction collection. Insights into the lives and minds of people you might not think twice about—as the back cover copy says, the book is “inviting readers to immerse themselves within, rather than fly over, the wide-open Midwestern prairie.”

Some of my favorite stories include:
I love how Brett’s collection has 48 distinct stories, but you’ll read a name and think, “Wait…” and flip back a few stories to see the character mentioned in passing. It’s an immersive way of storytelling that truly feels like you’re among these people, hearing stories from people who know each other.
I’m so honored that Brett agreed to read and blurb my chapbook because I greatly admire his writing, and I hope you’ll check out 48 Blitz. In the meantime, check out this amazing story he recently published in Atlas and Alice: “Holy War.”
I’m thrilled to have a photograph, “Diversion,” in issue 8 of Rock and a Hard Place magazine!

“Rock and a Hard Place Press is a lit-noir publisher, focused on stories of struggle, tales of the powerless and marginalized, characters on the fringes of society … and what they do next.”
Don’t miss out on all the amazing stories and art in this issue! Get it now!

I’m honored to share this blurb for my forthcoming chapbook, Won’t Be By Your Side.

I met Keely O’Shaughnessy when I was a priority editor at Flash Fiction Magazine. She’s the managing editor and fearless leader, and an amazing writer to boot! I kicked off Chapbook Week showcasing her book, The Swell of Seafoam, which you can get right now (free!) from Ghost City Press. The microchap is stunning, with the mysterious sea taking on a prominent role in each story.
Since then, Keely’s second book, Baby Is a Thing Best Whispered, came out with Alien Buddha Press. Once I stopped staring at the gorgeous cover, I dove in and the stories swept me away. The relationships in this book are realistic, even when that means they’re fraught with uncertainty and anxiety. Keely deftly inspires those emotions in the reader.

A few of my favorite stories include:
I need to stop before I highlight every story, but you get my gist. This flash fiction collection is one you don’t want to miss!
I’m so excited to present the cover (and title!) for my debut flash fiction chapbook…

The third and final cover tease, preparing for the GRAND REVEAL on Saturday, September 3rd…
drumroll…

The first cover tease was a photo taken during the same shoot, but that and the color scheme are the only common threads with the cover image itself. This tease is getting a little closer to the source…

Spoiler alert: The cover of my upcoming chapbook is a photograph I took a few years ago. I’m never one to take a single photo and feel satisfied, so I usually take dozens (okay, hundreds) each shoot. I culled this specific shoot down to about 12 images, then picked my eight favorites. One is the cover—as soon as I titled the book, the image came to mind and just clicked. I tried another image and it wasn’t right, so I listened to my gut. But I still wanted to share the other seven pictures, so I planned out a few cover teases—and this is the first.

I’ve already reviewed seven titles for Chapbook Week, but I had to end with a special announcement:

My debut chapbook from Alien Buddha Press is coming September 23rd!
I’m excited to share the cover reveal, blurbs, and inspiration behind each piece in this collection.
Today my piece “No Place Like Home” is live at Atlas and Alice.
Like many of the other pieces I’ve had published recently, this started in a Kathy Fish workshop. It’s a piece of microfiction, so we already had strict word constraints (150 words or less). To add to the challenge, Kathy gave us a list of words to use—either in the piece itself, or as a jumping-off point. I used five of the ten words for the fun of it, though they definitely gave me the root of the story as well.
Other pieces published from Kathy Fish’s workshop: