Green Light: A Backstory

In June 2021, I took part in Jami Attenberg’s 1,000 Words of Summer. I wrote at least 1,000 words per day for two weeks, and those pieces included all nine flash stories that eventually ended up in Green Light: A Gatsby Cycle. (The first few days of writing were something else entirely… but we won’t go there.)

Janet had already found her poems. In fact, her idea of using the first page of each chapter is why I used a sentence from the first page of each chapter to start a flash story. But we didn’t collaborate. It wasn’t until later that we put it all together and realized… hey, this works!

We sent Green Light out into the world—to nine publishers total! The last submission was to Alien Buddha Press. Red loved the book but had never worked with two authors on one project before, so he encouraged us to each submit our own books instead. And we did! (Janet published ghosts passing through and I published Won’t Be By Your Side.) 

However, as the 100th anniversary of F. Scott Fitzgerald’s The Great Gatsby grew closer, we knew we needed to get this book out in the world. With all the excitement celebrating that centennial, it would be perfect timing! So we reached out to Alien Buddha Press once more, hoping that Red would be willing to work with us as a duo since he’d worked with us individually. And he agreed! We streamlined things for him (I hope!) and marketed the hell out of the book for six weeks leading up to its publication date of April 10, 2025 – 100 years after the original Gatsby!

Just for fun, here are photos of my original handwritten drafts of the flash in Green Light.

And for even more fun, here are the word counts – then and now:

Chapter 1: 1057, now 738
Chapter 2: 1008, now 729
Chapter 3: 1064, now 694
Chapter 4: 1013, now 700
Chapter 5: 1126, now 732
Chapter 6: 1023, now 714
Chapter 7: 1002, now 705
Chapter 8: 1117, now 712
Chapter 9: 1074, now 668

2023 Writing in Review

This year felt like a slow one to me, but when I look at my submissions spreadsheet and publication track record, it was pretty great! I did take it a bit slower in terms of workshops. I love the prompts and feedback in workshops, but this year was a rollercoaster in terms of my paid writing work, so not having the pressure (or expense, yikes!) of many workshops was a necessary break. (That said, I took seven workshops total, though many were in the spring when my work life was still running smoothly!)

I like the goal of submitting to a certain number of places a month because I like marking accomplishments off my list. However, I don’t like the pressure of submitting just because. So for 2024, I’m going to take a small step back. I’m going to focus more on the ideas I have for collections and novellas-in-flash and strive to finish those instead of writing one-offs for submission. I think having a few bigger projects on my plate will be a nice change of pace from these past three years.

Anyway, my 2023 stats meet the goals I set for myself at the end of last year. I submitted 62 times, compared to 63 written in 2022 (I also submitted photography that year) and 44 in 2021. I had 16 acceptances, compared to 13 written acceptances in 2022 and 5 in 2021. Six stories are still out/under consideration.

I also wrote blurbs for two amazing collections: Winter Dance Party by Brett Biebel and Awakenings edited by Diane Gottlieb.

Two of my 2023 acceptances are for anthologies coming in the future from Reflex Press and Stanchion, but the rest are online and linked below:

Ladyfingers published by Visual Verse 9/2023

The Hand, The Remorse of Conscience in The Ekphrastic Review’s Lucky 8 Marathon 8/2023

Precarious Pile published by Visual Verse 8/2023

Nectar published by SoFloPoJo 8/2023

Waiting in the Rain published by Visual Verse 7/2023

Blue Monkey published by Ellipsis Zine 6/2023

Crosstown Traffic published by The Write-In 6/2023

Moving Day published by The Write-In 6/2023

Trick or Treat published by The Write-In 6/2023

She’s Where the Sky Meets the Water published by The Write-In 6/2023

Dreamless Reality published by The Write-In 6/2023

Close Your Eyes published by Visual Verse 5/2023

Midway shortlisted for the Brilliant Flash Fiction Contest 5/2023

Mother of Pearl published by Visual Verse 4/2023

501 published by Spartan 4/2023

Death of an Influencer published by Visual Verse 3/2023

Bank Balance published by Friday Flash Fiction 3/2023

“Shining Light” photograph in Rock and a Hard Place Issue 9 2/2023

Related Posts:

2022 Writing in Review

2021 Writing in Review

Bolt of Inspiration

I started 2023 with very few writing goals because too many start to feel like obligations, and that’s the last excuse I need to skip writing time. My main goals were massive projects to work on all year:

  • Complete, edit, and possibly submit a novella-in-flash
  • Revise and query a YA book that’s been tucked away for over a decade

I also knew I wanted to take more workshops, and kicked off the year with two: one focusing on micros, one for sci-fi and speculative fiction.

I didn’t realize that, during those workshops, I’d get an idea for another massive project. The prompt was to use a photograph as your inspiration. I love ekphrastic work, so this was right up my alley. I even knew what photos to sort through to find the perfect concept.

When my paternal grandfather died, I spent a lot of time in his wood-paneled study. He had a box of prints curled with age. I loved sorting through them and trying to cobble together the true story of who took them, when, and where. No one knew. But I kept them and occasionally looked through them to get more clues.

I looked through the photos last week for this prompt and showed them to my dad. We searched each image for clues and then researched possibilities before realizing the pictures were from the 1939 World’s Fair in New York. Now we’re just trying to unravel the mystery of who in the family took them, with two major contenders: my grandfather and great-grandfather. Of course, they could have gotten copies of the prints from a friend or neighbor, and we’ll never know.

But the truth behind the photos isn’t my main concern. There are several sets that tell stories when you put the images in one order, then a different story when you shuffle them. And I can’t stop shuffling them, which led to my newest massive project: a chapbook of ekphrastic stories with the photos at the top of each page. I’ve already scanned the images and started writing, so I guess my previous resolutions will take a backseat for a bit…